Sunday
Feb132011

Honest Edwardianism

I will be making a point of visiting Dominion Modern before this exhibition is over.

 

A little background:

Honest Edwardianism
Hand Painted Signs in the 21st Century

In the 1960's businessman Ed Mirvish began to buy up the period warehouses on King Street West that surrounded his Royal Alexandra Theatre. The Edwardian warehouses were all painted white and so was coined the term, "Honest Edwardianism". That style was particular to Ed Mirvish, so was Honest Ed's, his department store on Bloor and Bathurst. Through a barrage of loud neon signs, witty slogans on hand-painted signs, corney jokes, often at his own expense. That was his shtick, he drew people into the store through old fashioned salesmanship,

Ed's shtick. That shtyle, that way of doing things, was particular to Ed and it was passed on to merchandising, from the neon signs outside his various restaurants and store, to the interior signs that advertised and sold his wares.

Honest Ed’s Department Store sign shop is abuzz with activity, Doug Kerr and Wayne Reuben are at the helm, doing what they do best, creating hand-painted signs for the thousands of products that go on sale at Honest Ed’s every week.

And the good stuff....

Wednesday
Sep012010

Corn Roast!

I suppose it's to accomodate the large population of meat abstainers. Plus, corn is cheap! 

Tuesday
Aug172010

Notes

 

Just some notes from the start of a project I stumbled upon in an old sketchbook.

Tuesday
Jul062010

Mailout for Loyola University by 160/90

 

As the designer at a university I'm always interested to see how other schools represent themselves in their
printed materials. This two-part mailout for Loyola University is by far the awesomest example I've seen yet.

For more info and images go here.

And, as an added bonus, my good pal and former classmate Justin Lafontaine is about to join the 160/90 team.
Looking forward to the inevitable radness that ensues.

 

Thursday
Apr292010

Stuck in a Groove / Phonovideo

Another one of those projects that combines multiple interests, in this case animation and turntables. This is basically
the same technique used in MASSTRANSISCOPE by Bill Brand, instead here the animation itself moves rather than the viewer.

Regardless who (or what) moves, anything based on the Phenakistoscope is rad.

 

Stuck in a Groove / Phonovideo from Clemens Kogler on Vimeo.